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| After arriving in Madrid, Chao and other band mates from Mano Negra formed a new group, Radio Bemba Sound System (named for the communication system used in the Sierra Maestra by the Castro- and Guevara-led rebels in the Cuban Revolution), featuring groups from diverse backgrounds, such as Mexican Tijuana No!, Brazilian Skank, and Argentinian Todos Tus Muertos.<br />The goal was to replicate the sound of street music and bar scenes from a variety of cultures; to that end, Chao and the group spent several years travelling throughout South and Central America, recording new music as they went.<br />The resulting music differed drastically from Mano Negra; the songs were primarily sung in Spanish with far fewer French tracks and the musical style had shifted from punk and alternative styles to the street vibe Chao was aiming for.<br />The songs were collectively released as Clandestino in 1998, under Manu Chao's own name.<br />Though not an instant success, the album gained a steady following in France with hits such as Bongo Bong and Clandestino, and the album eventually earned the Best World Music Album award in 1999's Victoires de la Musique awards.<br />It sold in excess of 5 million copies.<br />Chao's second album with Radio Bemba Sound System, Próxima Estación: Esperanza, was released in 2001.<br />This album, named after one of the Madrid metro station stops (the title translates to next station: Hope), features similar sounds to Clandestino but with heavier Caribbean influences than the previous album.<br />The album was an instant hit, leading to a successful tour that resulted in the 2002 live album Radio Bemba Sound System.<br />Two years later, Chao returned to his French roots with the French-only album Sibérie m'était contée, which included a large book featuring lyrics to the album and illustrations by Jacek Woźniak. (*) |
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